The presence of memory is suggested by the layering of two forms of documentation that were left from the ephemeral week of casting: the replica and the photography.

In Traces, I literally project onto the object its history: the replica is placed on a plinth and the time-lapse of its making is projected into it.

'traces',

multimedia installation

20 minutes, 2013

RCSSD, London

 

traces, multimedia installation, bianca turner, 2013
traces, multimedia installation, bianca turner, 2013
traces, multimedia installation, bianca turner, 2013